Updated on 4 March 2017 (Harvard referencing).
26 June 2016. This time I did not forget to provide my tutor with large-size images of my blog photos on my Dropbox account and therefore, hopefully, she will be able to see better the details.
27 June 2016. I have just been informed that I will be assigned a new tutor, since my previous tutor has resigned from her job. I can only hope that my work so far meets with the expectations of my new tutor.
1. Demonstration of technical and visual skills
I think that I have made some progress in my approach to planning exercises and assignments. After a lot of guesswork from the start of Drawing 1 until about now I think that finally I have understood the principles of using a sketchbook for the work preceding a larger painting. Also, I can understand now why many fellow students will only reluctantly add a blog to their sketchbook logs. The latter are so much easier to keep, straightforward to use and will take any sort of awkward stuff and notes without producing any error messages. They are wonderful things to flick though and provide instantaneous reference. And since my handwriting is something only I can read a lot of the time I can put in all sorts of stupid ideas and side thoughts without having to feel embarrassed.
After a few disasters with using acrylic medium for dilution purposes I think that I am now using my acrylic paint with more confidence. I know now how important it is to keep paint not just moist but wet at all times and to take care to mix water and paint thoroughly before applying it to canvas. I am also, after an incredibly long time in the dark, getting more familiar with my brushes, so not all mark-making results are accidental any more.
At the same time I find that I become increasingly familiar with the requirements of a (more or less) successful setup. I find that my sketching and watercolour abilities are much better developed than my abilities in painting with acrylics, so my preliminary sketches appear much more interesting and probably better than my socalled finished work.
I am also becoming more familiar with the work of some artists, whose ideas and style have started to influence my own work. In this assignment, for example, I produced a background reminding me of Mark Rothko in order to exploit the mutual influence colours have so as to create the illusion of force or movement in an otherwise static setup.
2. Quality of outcome
I think that I prepared thoroughly for this task, having produced a large amount of research both on the meaning of colours and still life artists, as well as several preliminary studies during the exercises leading up to this assignment. Still I am not convinced that the quality of the outcome is what I would have liked to see. Problems occurring during the preparatory work showed me the importance of being absolutely clear about my intentions especially if my task extends beyond a purely representational painting. In planning the assignment piece I was quite convinced about the feasibility of my idea, but my grasp of colour relationships is not yet reliable enough to guide me safely through the development stage of a painting. In this assignment I think that my very small preparatory watercolour sketch has a higher quality than the finished piece. Despite all this I am happy to be able now to somehow communicate with a developing painting and overcome my fear of destroying something I may not be able to recreate in case the new idea was worse than the one from which it emerged.
3. Demonstration of creativity
As in most of my works I think it essential that they contain a message. The idea for painting poisonous cocktails occurred to me while describing another hair-raising point in the endless story about our son, us and the hospital. As a caricaturist I am used to playing with the meaning of words and one of my long-term goals is to be able one day to do a similar thing by painting alone. I think that my message coming with this assignment might be called creative, but not so the actual painting. I still have not arrived at a point where I think my acrylic painting skills are sufficiently developed to allow a more adventurous approach regarding the use of painting media and techniques. Still I was able to use insights taken from all exercises in Part 2 of the course to apply them in a useful and hopefully believable way (colour relationships, contrast, negative space etc.)
4. Context reflection
I have become increasingly aware of the immense value of researching the work of other artists in preparing my own. Since I am clearer now with my intentions it has become easier to take aboard the respective messages of the artists I have come across so far in the course of my studies. As with any field of knowledge I find that the more I know, the more readily and easily my mind will form bridges and associations, which will then increasingly allow me to find informed solutions for a given problem. Hopefully these will, one day, replace the guesswork I find myself struggling with at the moment, since only when my work stops being arbitrary it will start being truly creative.
I enjoyed reading your reflection. thank you for sharing it.