Updated on 9 March 2017 (Harvard referencing).
4 August 2016. I think it was a good idea to go through my research tasks in a marathon session. It appears that it is far easier to make the connections, if I stay tuned into the subject. So, Adam Dix (*1967, UK) next. My tutor suggested that I look up what he does after having seen my monochrome simple perspective interior (garage and barbecue), because the colours he chooses “have a similar aesthetic”. When opening his website I knew instantly what she meant. Although Dix’s main interest lies in modes and ways of communication from past to present, in one painting, it is his carefully selected muted colours, mostly monochrome, which appeal strongly to me. Since the meanings of colour are more or less universally shared in the Western world, the monochrome settings convey a mood shared by all the subjects depicted in the painting and the viewer. This is particularly evident in “Watch Over Me”, (Dix, 2015) or “Do You Receive Me” (Dix, 2012). The bluish grey haze provides a ghostly setting, where I feel a sense of loss, although the people sitting at the table seem to be doing their best to communicate a belonging together. While I strongly assume that Dix’s choice of colour was deliberate, I cannot say that mine was, especially since some of my acrylic mixes dry up to produce hues totally different from the mix in the wet state. But I will keep that aspect in mind and return to my subject of how to use colour in the conveyance of certain moods, probably already in the self portrait I have to do as my next exercise.
Dix, A. (2015) Watch Over Me [ink and oil on panel] [online]. [n.k.]. Available at: http://www.adamdix.com/Watch_Over_Me.html [Accessed 4 August 2016]
Dix, A. (2012) Do You Receive Me [ink, fluorescent pigment and oil on canvas] [online]. [n.k.]. Available at: http://www.adamdix.com/do_you_receive_me.html [Accessed 4 August 2016]