Part 2, project 4, exercise 2: Drawing and painting interiors – simple perspective in interior studies

Updated on 3 March 2017 (Harvard referencing).

23 June 2016. As planned during the last exercise I chose the garage view on our barbecue and the cupboard behind it and produced an elongated drawing with a dark green mix of brown and blue-green acrylic modulated with white and black. Since there were nearly two weeks between the start and the end of this exercise, with lots of doctors’ and hospital appointments and one of my oldest friends, from Iceland, staying for nearly a week, I did not completely immerse into this task. Still I am not unhappy with it. The view is quite complex with lots of shelves and so I was glad to have chosen a quasi monochrome option. What I really like in the finished drawing is the way the barbecue both shines and stands out from the rest of the room despite having been drawn with nothing but bold strokes. I could have spent a lot more time on this exercise, but I think that the main layout, shapes and proportions are fine, and also I will need the next days to concentrate on Assignment 2 to avoid having to ask for an extension. Here is the sequence (Fig. 1-3:

I think that I managed to indicate clearly the direction of the light source (daylight coming in from an invisible door just to the right of the cupboard). What I noticed just now, when putting the photos in this blog, was that the shadow cast by the wheel of the barbecue at the back is not believable. It looks as if it did not touch the floor. Also two weak shadows cast by the garden hose on the floor are missing, but they would be important to define floor space. Maybe I will come back to this drawing/painting when preparing for assessment next year.

By the way, when having had a preparatory look at the blogs of fellow OCA students doing this exercise I admired the beautiful solution found by fellow student Stuart Brownlee (2014). Trying not to be envious :o).


Brownlee, S. (2014) Part 2 – Exercise 15: simple perspective in interior studies [blog] [online]. Available at: [Accessed 3 March 2017]

Part 2, project 4, exercise 1: Drawing and painting interiors – quick sketches around the house

Updated on 2 March 2017 (Harvard referencing).

9 June 2016. Now the dreaded time has come again when I am asked to walk round our house on the look for interesting views. Last year, during Drawing 1, I struggled immensely with the pleasing, but awkward to draw or paint, layout of our house. There are practically no views which are not obstructed by parts of the house in a more than inconvenient way. The layout is open, but there are stairs everywhere, which means that it is just these stairs, interesting as the idea might be in general, which render a view awkward. At the moment, for example, I am sitting at my desk in the open office. I am able to look down a flight of stairs into the living room, but can only see half the width of the staircase, the rest is blocked by a piece of wall in the office. At the same time I can see, from underneath, the stairs leading to my workshop. The edge of the ceiling in our living room is where the bottom of these stairs rests and this edge cuts off about one third of the view through the patio door. In a drawing or painting this looks extremely weird, as if I had got my proportions wrong. This is the case practically everywhere in the house, so I had no other choice than have a look in the garage …

Asked to make very quick sketches in my A4 sketchbook using a pencil (rather than my beloved ink pen) I produced 4 sketches each from a standing, then a seated position, turning 45° between sketches. Since there is not a lot of room in the garage, I had to go for a relatively elongated format in order to create a rudimentary illusion of space.

In the images (Fig. 1a-d) below there is first the set from the standing position, top left with lawnmower and cable, hose and some garden tools, top right with barbecue and wet vacuum cleaner behind it, bottom left a failed view on the garden hose, bottom right a likewise failed straight-on view of half of our ping pong table and a bag of hydrophobic cement :o):

Next the seated versions, trying to keep the viewing angles identical (Fig. 2a-d):

Two of the above views I guess might be more or less suitable to use in a painting. Shapes and negative spaces looked most interesting in the view containing the barbecue. In addition, there was a quite nice distorted reflection of the garage door into the garden on the barbecue’s lid. If combining the standing up and seated version to produce a deliberately elongated format, this might be an interesting project. But again, trying to learn from failures in the not too distant past, I must remind myself to keep things simple …