Updated on 7 March 2017 (Harvard referencing).
4 August 2016. On 1 August we had an appoinment with our new lawyer in town. Since it is rare for us to be in the city centre at all, we took the opportunity to visit the Weihergut gallery (Galerie Weihergut Linzergasse, 2016). There were two painters on show, who could not be more different. One of them was the multi-talented Viennese phantastic realist Arik Brauer (*1929, Austria). Brauer is an important part of my childhood memories. My parents had one or two records by him in their cupboard and I still love the colourful cover paintings and the wonderfully sensitive songs, all painted, written and performed by him. For his unique style, closely related to that of the old masters, see a series of paintings on display in the Leopold Museum in Vienna, where his work is described in the following way: “… he cultivated a style that was to once again capture the imagination and accommodate the art of storytelling and joy of invention” (2).
The other one was Alexander Timofeev (*1971, St. Petersburgh) (3), whose approach ties in with black romanticism (using techniques intended to produce a frightening atmosphere). In preparation of a series of paintings Timofeev creates sceneries with actors and costumes, takes several super high resolution photographs and paints from those. The resulting hyperrealistic erotic oil paintings are of incredible detail and accuracy, radiating a great talent for conceptualizing and arranging, but the sheer number of large-scale paintings produced in 2016 and already on display in our gallery makes me wonder how he does it. I have to admit that I feel uncomfortable around hyperrealism, no matter how technically proficient.
Galerie Weihergut Linzergasse (2016) Galerie Weihergut Linzergasse [online]. Galerie Weihergut Linzergasse, Salzburg. Available at: http://www.weihergut-linzergasse.at/ [Accessed 4 August 2016]